{"id":19932,"date":"2023-01-16T21:24:13","date_gmt":"2023-01-16T20:24:13","guid":{"rendered":"https:\/\/ifa.uwr.edu.pl\/?page_id=19932"},"modified":"2026-03-30T15:58:41","modified_gmt":"2026-03-30T13:58:41","slug":"dr-hab-wojciech-drag","status":"publish","type":"page","link":"https:\/\/ifa.uwr.edu.pl\/en\/staff\/dr-hab-wojciech-drag\/","title":{"rendered":"dr hab. Wojciech Dr\u0105g, prof. UWr"},"content":{"rendered":"\n
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dr <\/strong>hab. Wojciech Dr\u0105g, prof. UWr<\/strong><\/h1>\n\n\n\n

associate professor<\/p>\n\n\n\n

Department of English Literature and Comparative Studies<\/p>\n\n\n\n

wojciech.drag@uwr.edu.pl<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Wojciech Dr\u0105g is an associate professor in the Department of English Literature and Comparative Studies at the Institute of English Studies. He is the author of Collage in Twenty-First-Century Literature in English: Art of Crisis<\/em> (Routledge, 2020) and Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro<\/em> (Cambridge Scholars, 2014; Suiseisha, 2021 \u2013 Japanese translation), and co-editor of five edited volumes, including Experimental Life Writing Today<\/em> (Bloomsbury, 2025) and Critical Perspectives on Max Porter<\/em> (Routledge, 2024).<\/p>\n\n\n\n

In 2007, he received an MA in Literature, Culture and Society from the University of Glamorgan (now the University of South Wales). In 2013, he obtained a PhD from the University of Wroc\u0142aw; in 2021, he was awarded a habilitation.<\/p>\n\n\n\n

Wojciech Dr\u0105g has received fellowships from the Kosciuszko Foundation (University of Utah, 2018), the Polish National Agency for Academic Exchange (Dartmouth College, 2021), the French government (\u00c9cole normale sup\u00e9rieure de Lyon, 2023) and the University of Wroc\u0142aw’s Initiative of Excellence \u2013 Research University (KU Leuven, 2025). In 2021, he was awarded the Iuvenes Wratislaviae prize for young scholars, funded by the local branch of the Polish Academy of Sciences. His academic interests focus on contemporary British and American fiction and non-fiction and on formal experimentation in literature.<\/p>\n\n\n\n

He was deputy head of the Institute of English Studies in 2014-2024. He is currently vice dean for research at the Faculty of Languages, Literatures and Cultures and deputy chairman of the board of literary studies. In 2024, he was elected president of the Polish Association for the Study of English<\/a>.<\/p>\n\n\n\n

More information: Academia.edu<\/a><\/p>\n\n\n\n

Books
<\/strong>Dr\u0105g, W., Collage in Twenty-First-Century Literature in English: Art of Crisis<\/em><\/a>.<\/em> New York: Routledge, 2020.<\/p>\n\n\n\n

Dr\u0105g, W., Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro<\/em><\/a>. Newcastle: Cambridge Scholars Publishing, 2014. [t\u0142umaczenie na j\u0119zyk japo\u0144ski<\/a> \u2013 Tokio: Suiseisha, 2020]<\/p>\n\n\n\n

Edited volumes<\/strong><\/p>\n\n\n\n

Guignery, V., Dr\u0105g, W., Experimental Life Writing Today<\/a><\/em>. London: Bloomsbury, 2025.<\/p>\n\n\n\n

Rudrum, D., Wojtas P., Dr\u0105g W. Critical Perspectives on Max Porter<\/em><\/a>. New York: Routledge, 2024.<\/p>\n\n\n\n

Guignery, V., Dr\u0105g, W.,\u00a0The Poetics of Fragmentation in Contemporary British and American Fiction<\/em><\/a>.<\/em>\u00a0Wilmington: Vernon Press, 2019.<\/p>\n\n\n\n

Dr\u0105g, W., K\u0119b\u0142owska-\u0141awniczak, E., Spectrum of Emotions: From Love to Grief<\/em><\/a>. Frankfurt am Mein: Peter Lang, 2016.<\/p>\n\n\n\n

Dr\u0105g, W., Krogulec, J., Marecki M., War and Words: Representations of Military Conflict in Literature and the Media<\/em><\/a>.  Newcastle: Cambridge Scholars Publishing, 2016.<\/p>\n\n\n\n

Articles in journals<\/strong><\/p>\n\n\n\n

Dr\u0105g, W., & H. Sroka, 2024, The Poetics of Crisis in Life-Writing Experiments: A Conversation<\/a>. Autobiografia: Literatura. Kultura. Media <\/em>(22)1: 163\u2013170.<\/p>\n\n\n\n

Dr\u0105g, W., 2024, \u201cHurry-hurry to Vermont!\u201d: Joe Brainard\u2019s Rural Refuge<\/a>. Er(r)go. Theory\u2013Literature\u2013Culture<\/em> 49(2): 137\u201353.<\/p>\n\n\n\n

Dr\u0105g, W., 2024, Tracking Change in Data-Driven Autobiography: Nicholas Felton\u2019s Annual Reports, 2005\u20132014<\/a>. Anglica Wratislaviensia<\/em> 62(2): 103\u201317.<\/p>\n\n\n\n

Dr\u0105g, W., 2024, The Index as a Form of Self-Archiving in the Works of Alejandro Cesarco and Joan Wickersham<\/a>. CounterText: A Journal for the Study of the Post-Literary<\/em> 10(1): 1\u201322.<\/p>\n\n\n\n

Dr\u0105g, W., 2023, Material Loss: Multimodality and Mourning in B.S. Johnson\u2019s The Unfortunates<\/em> and Anne Carson\u2019s Nox<\/em><\/a>. Studia Litteraria Universitatis Iagellonicae Cracoviensis<\/em> 18 (2): 129-43.<\/p>\n\n\n\n

Dr\u0105g, W., 2022, Collage Autothanatographies: David Markson\u2019s Reader\u2019s Block Quartet and Evan Lavender-Smith\u2019s From Old Notebooks<\/a>. Orbis Litterarum<\/em> 77: 19-36.<\/p>\n\n\n\n

Dr\u0105g, W., 2021, \u201cHouses. Cats. Cars. Trees. Me\u201d: Outward and Inward Journeys in Joe Brainard\u2019s Collage Travelogues<\/a>. Studia Anglica Posnaniensia<\/em> 56: 235-48.<\/p>\n\n\n\n

Dr\u0105g, W., 2021, Fame at Last: Belated Experimentalists Revisited<\/a>. Hungarian Journal of English and American <\/em>Studies 27 (1): 179-82.<\/p>\n\n\n\n

Dr\u0105g, W., 2020, The Collage Novel\u2019s Uses of the Readymade in Tom Phillips\u2019s A Humument<\/em> and Graham Rawle\u2019s Woman\u2019s World<\/em><\/a>. Litteraria Copernicana<\/em> 3 (35): 127-39.<\/p>\n\n\n\n

Dr\u0105g, W., 2020, Review: Magda Dragu, Form and Meaning in Avant-Garde Collage and Montage<\/a>. Polish Journal of English Studies<\/em> 6.1: 68-71.<\/p>\n\n\n\n

Dr\u0105g, W., 2020, The Goldsmiths Prize and Its Conceptualization of Experimental Literature<\/a>. Polish Journal of English Studies<\/em> 5.1: 35-55.<\/p>\n\n\n\n

Dr\u0105g, W., 2020, E<\/a>mbraceable Joe: Notes on Joe Brainard\u2019s Art<\/a>. Electronic Book Review<\/em>, 6 June.<\/p>\n\n\n\n

Dr\u0105g, W., 2020, A galaxy of signifiers\u201d: David Clark\u2019s 88 Constellations for Wittgenstein<\/em> as a Paradigm of the Barthesian Writerly\/Plural Text<\/a>. Lublin Studies in Modern Language and Literature<\/em> 44.2: 113-22.<\/p>\n\n\n\n

Maziarczyk, G. & W. Dr\u0105g, 2020, N<\/a>arrative Fiction and Other Media: An Introduction<\/a>. Lublin Studies in Modern Language and Literature<\/em> 44.2: 1-2.<\/p>\n\n\n\n

Dr\u0105g, W., 2019, Collage and Crisis in Steve Tomasula\u2019s VAS: An Opera in Flatland<\/em> and Lance Olsen\u2019s <\/a>Head in Flames<\/a>. Notre Dame Review<\/em> 48 <\/p>\n\n\n\n

Dr\u0105g, W., 2019, The Curious Case of the British Avant-Garde<\/a>. Hungarian Journal of English and American Studies<\/em> 25.1: 438-441.<\/p>\n\n\n\n

Dr\u0105g, W., 2019, Joe Brainard\u2019s I Remember, Fragmentary Life Writing and the Resistance to Narrative and Identity<\/a>. Text Matters: A Journal of Literature, Theory and Culture<\/em> 9: 224-36.<\/p>\n\n\n\n

Dr\u0105g, W., 2018, Cutting to the Chase: Microfictions, Empathy and the New Sincerity<\/a>. Brno Studies in English<\/em> 44\/1: 103-17.<\/p>\n\n\n\n

Dr\u0105g, W., 2018,\u00a0The Curricular Canon of Twentieth- and Twenty-First Century British and Irish Literature at Polish Universities<\/a>.\u00a0Anglica Wratislaviensia<\/em>\u00a056 (2018): 45-56.<\/p>\n\n\n\n

Dr\u0105g, W., 2017, Jenny Offill\u2019s Dept. of Speculation<\/em> and the Revival of Fragmentary Writing<\/a>. Miscel\u00e1nea: A Journal of English and American Studies<\/em> 56: 57-72.<\/p>\n\n\n\n

Dr\u0105g, W., 2016, Heteroglossia and Fragmentariness in The Absent Therapist<\/em> by Will Eaves<\/a>. Studia Anglica Posnaniensia<\/em> 51\/4: 53-66.<\/p>\n\n\n\n

Dr\u0105g, W., 2016, \u201cA Novel Against the Novel\u201d: David Markson\u2019s Antinovelistic Tetralogy<\/a>. Polish Journal of English Studies<\/em> 1.1: 11-26.<\/p>\n\n\n\n

Dr\u0105g, W., 2016, \u201cI\u2019m a I\u2019m a Scholar at the Moment\u201d: The Voice of the Literary Critic in the Works of American Scholar-Metafictionists<\/a>. American, British and Canadian Studies<\/em> 26: 36-51.<\/p>\n\n\n\n

Dr\u0105g, W., 2016, Trauma with a Pinch of Salt (review of The Edges of Trauma <\/em>by Tamas Benyei and Alexandra Stara). Hungarian Journal of English and American Studies<\/em>  22.1: 285-90.<\/p>\n\n\n\n

Dr\u0105g, 2015, W. Compulsion to Re-enact: Trauma and Nostalgia in Tom McCarthy\u2019s Remainder<\/em><\/a>. Hungarian Journal of English and American Studies<\/em>  21.2: 377-92.<\/p>\n\n\n\n

Dr\u0105g, W., 2015, Wilfred Owen and the Great War Centenary<\/a>, Anglica Wratislaviensia<\/em> 53: 55-64.<\/p>\n\n\n\n

Dr\u0105g, W., 2014, The Man Booker Prize and the Emerging Canon of Contemporary British Fiction<\/a>, Studia Litteraria Universitatis Iagellonicae Cracoviensis<\/em> 9: 17-28.<\/p>\n\n\n\n

Dr\u0105g, W., 2013, Modernism \u2013 an Abandoned Legacy?: Gabriel Josipovici\u2019s Critique of the Contemporary British Novel<\/a>, Interactions: Ege Journal of British and American Studies<\/em> 1: 87-94.<\/p>\n\n\n\n

Dr\u0105g, W., 2011, The Construction of an Alternative Reality in Kazuo Ishiguro\u2019s The Unconsoled<\/em> and Its Metaphorical Capacity, Philologica Wratislaviensia: Acta et Studia<\/em> 6: 65-76.<\/p>\n\n\n\n

Dr\u0105g, W., 2011, T<\/em>he Shadow of the Nagasaki Bombing in Kazuo Ishiguro\u2019s A Pale View of Hills<\/em>, Biuletyn Naukowy Wroc\u0142awskiej Wy\u017cszej Szko\u0142y Informatyki Stosowanej<\/em> 1: 12-16.<\/p>\n\n\n\n

Dr\u0105g, W., 2010, Elements of the Dreamlike and the Uncanny in Kazuo Ishiguro\u2019s The Unconsoled<\/em><\/a>, Styles of Communication<\/em> 1: 31-40.<\/p>\n\n\n\n

Dr\u0105g, W., 2009, \u2018I don\u2019t believe in God but I miss Him\u2019: Religion and Nostalgia in the Work of Julian Barnes<\/a>, American, British and Canadian Studies<\/em> 2: 130-142.<\/p>\n\n\n\n

Chapters in edited volumes<\/strong><\/p>\n\n\n\n

Dr\u0105g, W. Collage and Late Style. Subversion and Conformity of Literary Collage: Between Cut and Glue<\/em>, eds. M. Dragu, New York and Abingdon: Routledge, 2024: 83-98.<\/p>\n\n\n\n

Dr\u0105g, W. The Rise and Rise of Max Porter. Critical Perspectives on Max Porter<\/em>, eds. D. Rudrum, P. Wojtas & W. Dr\u0105g, New York and Abingdon: Routledge, 2024: 1-20.<\/p>\n\n\n\n

Dr\u0105g, W. \u201eOnly connect\u201d \u2013 mikrofikcje jako \u0107wiczenia z empatii: How We Are Hungry<\/em>, Short Short Stories<\/em> i How the Water Feels to the Fishes<\/em>. Dave Eggers: Mistrzowie Literatury Ameryka\u0144skiej<\/em>, ed. J. Nikiel, Warszawa: Wydawnictwo Uniwersytetu Warszawskiego, 2024: 57-73.<\/p>\n\n\n\n

Dr\u0105g, W. The Dispersed Self, the Database and Digital Biography: David Clark\u2019s 88 Constellations for Wittgenstein. The Experimental Book Object: Materiality, Media, Design<\/em>, eds. S. Sj\u00f6berg, M. Keskinen & A. Karhumaa, New York and Abingdon: Routledge, 2023: 176-94.<\/p>\n\n\n\n

Dr\u0105g, W., Radykalnie zwi\u0119z\u0142e sceny z \u017cycia postindustrialnego (Kr\u00f3tkie wywiady z paskudnymi lud\u017ami). David Foster Wallace: Mistrzowie Literatury Ameryka\u0144skiej<\/em>,  ed. J. Hetman, Warszawa: Wydawnictwo Uniwersytetu Warszawskiego, 2021: 85-101.<\/p>\n\n\n\n

Dr\u0105g, W., Collage Manifestos: Fragmentation and Appropriation in David Markson\u2019s This is Not a Novel<\/em> and David Shields\u2019s Reality Hunger. The Poetics of Fragmentation in Contemporary British and American Fiction<\/em>,  eds. Guignery, V., Dr\u0105g, W., Wilmington: Vernon Press, 2019: 107-22.<\/p>\n\n\n\n

Guignery, V., Dr\u0105g, W. Introduction: The Art of the Fragment<\/a>.\u00a0The Poetics of Fragmentation in Contemporary British and American Fiction<\/em>, \u00a0eds. Guignery, V., Dr\u0105g, W.,\u00a0Wilmington: Vernon Press, 2019: XI-XXX.<\/p>\n\n\n\n

Dr\u0105g, W. Pami\u0119\u0107, nostalgia i przymus powtarzania w \u201eResztkach\u201d Toma McCarthy\u2019ego. Powie\u015b\u0107 brytyjska w XXI wieku: szkice<\/em>,  eds. Ewa Kowal, Bo\u017cena Kuca\u0142a i Robert Kusek, Krak\u00f3w: Wydawnictwo Uniwersytetu Jagiello\u0144skiego, 2018: 37-50.<\/p>\n\n\n\n

Dr\u0105g, W. In Pieces: Fragmentation, Friendship and Mourning in B.S. Johnson\u2019s The Unfortunates. The Politics and Poetics of Friendship<\/em>,  eds. Ewa Kowal i Robert Kusek, Krak\u00f3w: Wydawnictwo Uniwersytetu Jagiello\u0144skiego, 2017: 323-34.<\/p>\n\n\n\n

Dr\u0105g, W. Dziedzictwo tradycji irlandzkiego eksperymentu literackiego: A Girl Is a Half-formed Thing. Powie\u015b\u0107 irlandzka w XXI wieku. Szkice<\/em>,  eds. Ewa Kowal i Robert Kusek, Krak\u00f3w: Wyd. Uniwersytetu Jagiello\u0144skiego, 2016: 133-50.<\/p>\n\n\n\n

Dr\u0105g, W. Not about Glory, Honour or Majesty: The Representation of War in a GCSE Poetry Anthology. War and Words: Representations of Military Conflict in Literature and the Media<\/em>,  eds. Wojciech Dr\u0105g, Jakub Krogulec i Mateusz Marecki, Newcastle:Cambridge Scholars Publishing, 2016: 133-42.<\/p>\n\n\n\n

Dr\u0105g, W., Writing cure? Narrating the Loss in Kazuo Ishiguro\u2019s An Artist of the Floating World <\/em>and The Remains of the Day<\/em>, The Self Industry: Therapy and Fiction<\/em>,  eds. Wo\u017aniakowska A., Szurman J., Kowalczyk-Twarowski K., Wydawnictwo U\u015a, 2015: 190-204.<\/p>\n\n\n\n

Dr\u0105g, W., Thwarted Quests for Meaning: Religion, Art and Love in the Early Novels of Julian Barnes, Stunned into Uncertainty: Essays on Julian Barnes\u2019s Fiction<\/em>,  eds. Tory E., Vesztergom J., E\u00f6tv\u00f6s Lor\u00e1nd Tudom\u00e1nyegyetem, 2014: 99-114.<\/p>\n\n\n\n

Dr\u0105g, W., Putting It Bluntly: Elizabeth Costello in Krzysztof Warlikowski\u2019s (A)pollonia, Travelling Texts: J.M. Coetzee and Other Writers<\/em>,  eds. Kuca\u0142a B., Kusek R., Peter Lang, 2014: 49-62.<\/p>\n\n\n\n

Dr\u0105g, W., B<\/em>eyond the Confines of Realism: Seeking New Metaphors for Memory in Kazuo Ishiguro\u2019s When We Were Orphans<\/em>, Crossroads in Literature and Culture, <\/em> eds. Fabiszak J., Urbaniak-Rybicka E., Wolski B., Springer-Verlag,2013: 331-40.<\/p>\n\n\n\n

Dr\u0105g, W., Elements of the Dreamlike and the Uncanny in Kazuo Ishiguro\u2019s The Unconsoled <\/em>[przedruk], Znajome staje si\u0119 przera\u017caj\u0105ce: Poj\u0119cie niesamowitego w  j\u0119zyku i kulturze<\/em>,  ed. Wicher A., Wydawnictwo AHE w \u0141odzi, 2013: 185-96.<\/p>\n\n\n\n

Dr\u0105g, W., \u201cYear after year, blunder after blunder\u201d: The Compulsion to Repeat in Kazuo Ishiguro\u2019s The Unconsoled, Culture and Rites\/Rights of Grief<\/em>,  eds. Bia\u0142as Z., J\u0119drzejko P., Szo\u0142tysek J., Cambridge Scholars Publishing, 2013: 208-22.<\/p>\n\n\n\n

Dr\u0105g, W., Living with the Wound: A Comparative Analysis of the Representations of Post-Atomic Trauma in Kazuo Ishiguro\u2019s \u201cA Strange and Sometimes Sadness\u201d and A Pale View of Hills<\/em>, <\/strong>Comparative Studies in Anglophone Literatures<\/em>: Transnational, Postcolonial, and Auto\/Thematic (Re)Considerations and (Re)Visions<\/em>, ed. Koneczniak G., Wydawnictwo Naukowe UMK, 2012: 125-36.<\/p>\n\n\n\n

Dr\u0105g, W., \u201cTo have been here\u201d: Language and Loss in Julian Barnes\u2019s Flaubert\u2019s Parrot <\/em>and John Banville\u2019s The Sea, PASE Papers: Studies in Culture and Literature<\/em>, eds. Cicho\u0144 A., K\u0119b\u0142owska-\u0141awniczak E., Atut, 2009: 45-50.<\/p>\n\n\n\n

Other publications<\/strong><\/p>\n\n\n\n

Dr\u0105g W., Pisarz \u015bwiata u\u0142udy<\/a>, Tygodnik Powszechny<\/em> 42 (2017): 76-78.

Dr\u0105g, W., Literacki Nobel dla Kazuo Ishiguro<\/a>, Tygodnik Powszechny<\/em> (5.10.2017).<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

dr hab. Wojciech Dr\u0105g, prof. UWr associate professor Department of English Literature and Comparative Studies wojciech.drag@uwr.edu.pl Wojciech Dr\u0105g is an associate professor in the Department of English Literature and Comparative Studies at the Institute of English Studies. He is the author of Collage in Twenty-First-Century Literature in English: Art of Crisis (Routledge, 2020) and Revisiting Loss: Memory, Trauma and […]<\/p>\n","protected":false},"author":57,"featured_media":0,"parent":19530,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[],"tags":[],"class_list":["post-19932","page","type-page","status-publish","hentry"],"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","menu-24x24":"","menu-36x36":"","menu-48x48":""},"post_excerpt_stackable_v2":"

dr hab. Wojciech Dr\u0105g, prof. UWr associate professor Department of English Literature and Comparative Studies wojciech.drag@uwr.edu.pl Wojciech Dr\u0105g is an associate professor in the Department of English Literature and Comparative Studies at the Institute of English Studies. He is the author of Collage in Twenty-First-Century Literature in English: Art of Crisis (Routledge, 2020) and Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro (Cambridge Scholars, 2014; Suiseisha, 2021 \u2013 Japanese translation), and co-editor of five edited volumes, including Experimental Life Writing Today (Bloomsbury, 2025) and Critical Perspectives on Max Porter (Routledge, 2024). In 2007, he received an MA in Literature, Culture and Society from the…<\/p>\n","category_list_v2":"Uncategorized","author_info_v2":{"name":"ikubon","url":"https:\/\/ifa.uwr.edu.pl\/en\/author\/ikubon\/"},"comments_num_v2":"0 comments","acf":[],"yoast_head":"\ndr hab. 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